Last night, in New York, a work believed to be by Leonardo da Vinci, Salvator Mundi, sold for $450 million dollars (including fees), the highest amount paid for a work of art to date. Interestingly, it was placed in a sale of contemporary artwork as it was felt there is more money in that sector than amongst collectors of Old Masters. Christie’s described it as “the greatest art rediscovery of the twentieth century”, yet not all art critics agree: one described the painting’s surface as “inert, varnished, lurid, scrubbed over and repainted so many times that it looks simultaneously new and old”. After all, it sold for just £45 in London in 1958 when it was thought to be by a follower of da Vinci. The buyer(s) is, as yet, unknown, but who would pay so much for a work of questionable attribution…?
My thoughts, views and musings about what's happening in the world of archives and records management, information and governance, heritage and culture